Watch Kamigami no fukaki yokubô Online
Monday, April 28, 2014 by watchstream
Kamigami no fukaki yokubô (1968)iMDB Rating: 7.9Date Released : 22 July 1970
Genre : Drama
Stars : Rentarô Mikuni, Chôichirô Kawarasaki, Kazuo Kitamura, Hideko Okiyama. The Tokyo engineer Kariya arrives on a primitive tropical island to drill a well to provide water for the sugar mill. He is assisted on the island by Kametaro, from the inbred Futori family. Nekichi Futori is chained in a pit that he has to dig, in order to appease the gods for breaking island customs. Nekichi is in love with his sister Uma, who is a shaman priestess at the sacred shrine, that ..." />
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The Tokyo engineer Kariya arrives on a primitive tropical island to drill a well to provide water for the sugar mill. He is assisted on the island by Kametaro, from the inbred Futori family. Nekichi Futori is chained in a pit that he has to dig, in order to appease the gods for breaking island customs. Nekichi is in love with his sister Uma, who is a shaman priestess at the sacred shrine, that contains the only good water close to the mill. She is also the mistress of Ryu, the manager of the mill. The patriarch of the Futori family tries to get the engineer to marry his retarded daughter Toriko.
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Review :
meandering, centreless piece with hints of genius
Profound Desires of the Gods, sometimes referred to as Imamura's overlooked epic, is an ambitious undertaking. Running at a daunting 173 minutes, it is ostensibly the tale of one inbred Ryukyu family's (the Futoris) attempts to regain lost social status. They do this by digging a pit to bury a huge boulder, and by seducing a mainland engineer with the feral, sexually-charged wild-child daughter. On another level, the film interrogates issues of modernity versus tradition, religious hypocrisy, and Japan's troubled relations with the outside world.
The film's successes are its luscious landscape, evocative production design of heathen and pagan rituals and artifacts, and portrayal of suppressed, taboo desires bursting to the fore. The narrative wanders and explores various tangents that can challenge the attention. This is filmmaking for cinema, and the gorgeous golden beaches and turquoise oceans had me longing to see this on the big screen. A murder by masked men at the end is also visually compelling. This film is interesting in bits, and flashes of genius occasionally show themselves, but the lack of coherence, repetition in the storyline, and outright dud moments (the heavenly vision of the departed patriarch), make this a problematic addition to the Imamura oeuvre. It hints at the great film that this project could have become, a realization of the potential of the vision, rather than the vision itself. Sometimes amazing, sometimes disappointing, this is one to watch and argue over.
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