Watch Spirits of the Dead (1968) Online
Tuesday, May 6, 2014 by watchstream
Spirits of the Dead (1968)iMDB Rating: 6.7Date Released : 23 July 1969
Genre : Horror, Mystery
Stars : Jane Fonda, Brigitte Bardot, Alain Delon, Terence Stamp. Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. "Metzengerstein" features a Mediveal countess who has a love-hate relationship with a black stallion - who, it turns out is really her dead lover.
"William Wilson" tells the story of a ..." />
Movie Quality : BRrip
Format : MKV
Size : 700 MB
Download Trailer Subtitle
The third story makes the film. It's "Fellini-esque"! Fellini's wild imagery makes narrative sense (well, sort of), when applied to the story of an addled English actor stumbling around Rome at breakneck speed. The segment also features a startlingly original image of evil (an "Anglican devil," I think that's the Terence Stamp character's phrase). Maybe it's just me, but the segment's conception of the devil is among the spookiest things I've ever seen on film; and when you get right down to it, it makes a lot more theological sense then ugly, scaly guys with tails.
Movie Quality : BRrip
Format : MKV
Size : 700 MB
Download Trailer Subtitle
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. "Metzengerstein" features a Mediveal countess who has a love-hate relationship with a black stallion - who, it turns out is really her dead lover. "William Wilson" tells the story of a sadistic Austrian student with an exact double whom he later kills.
Watch Spirits of the Dead Trailer :
Review :
Skip to Fellini
Three separate stories:
- Skip the first one. Just do it. If you really must ogle the young Jane
- Your call on the second one. Okay, but not memorable.
The third story makes the film. It's "Fellini-esque"! Fellini's wild imagery makes narrative sense (well, sort of), when applied to the story of an addled English actor stumbling around Rome at breakneck speed. The segment also features a startlingly original image of evil (an "Anglican devil," I think that's the Terence Stamp character's phrase). Maybe it's just me, but the segment's conception of the devil is among the spookiest things I've ever seen on film; and when you get right down to it, it makes a lot more theological sense then ugly, scaly guys with tails.
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